Acting on Multiple Stages

How Musical Actors Construct Their Labour-Market Vulnerability and Resilience

Authors

  • Oliver Ibert Leibniz-Institut für Regionalentwicklung und Strukturplanung, Flakenstraße 28–31, 15537, Erkner, Germany
  • Suntje Schmidt Leibniz-Institut für Regionalentwicklung und Strukturplanung, Flakenstraße 28–31, 15537, Erkner, Germany

DOI:

https://doi.org/10.1007/s13147-012-0176-9

Keywords:

Vulnerability, Resilience, Creative economy, Musical, Labour market

Abstract

This paper takes a social-constructionist approach to the terms vulnerability and resilience in order to test their analytical potential within the frame of an empirical spatial-science study. The empirical object was deliberately chosen from a field untypical for vulnerability analyses: the volatile labour markets for musical actors. The paper draws on qualitative interviews to trace the actors’ construction of labour-market related uncertainties, mainly caused by labour-market dynamics as well as institutional and territorial mismatches. Barely any resilience strategies exist for these forms of vulnerability. As a result, musical actors construct multiple identities from their bodies and talents, which they use in a targeted way within different spatial and social contexts. Two forms of network governance are additionally established to attenuate some of the competitive mechanisms. From a spatial viewpoint, these practices constitute transient, multi-local activity spaces in the labour market in which action is more effective when combined with a relatively stable home base.

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Published

2012-08-31

Issue

Vol. 70 No. 4 (2012): Schwerpunkt: Vulnerabilität und Resilienz in sozio-räumlicher Perspektive

Section

Research Article

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Copyright (c) 2012 RuR Editors

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This work is licensed under a Creative Commons Attribution 3.0 Unported License.

Articles in Raumforschung und Raumordnung – Spatial Research and Planning are published under a Creative Commons license. From Vol. 79 No. 2 (2021), the license applied is CC BY 4.0. From Vol. 77 No. 1 to Vol. 79 No.1, articles were published under a CC BY-SA license. Earlier volumes have been re-published by oekom 2022 under the Creative Commons Attribution 4.0 International License CC BY 4.0. 

How to Cite

1.
Ibert O, Schmidt S. Acting on Multiple Stages: How Musical Actors Construct Their Labour-Market Vulnerability and Resilience. RuR [Internet]. 2012 Aug. 31 [cited 2024 Apr. 25];70(4):349–361. Available from: https://rur.oekom.de/index.php/rur/article/view/835
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